Avion en papier
Origami Instructions Free Online Picture also shows the results graphically of moving away from the 'purest' form of Origami in all the eight directions. In some cases I use marked the art as 'open-ended', for example paper-cuts.
By this I mean that we no longer have a shut system typical of Origami where a procedure exists to create a model and can return to the starting point. It is arguable that it is the closed-system through which can some- how break, this is the real characteristic of Origami. ShapingRegular figures such as triangles, pentagons are well set up for Origami.
Kent du Pre has done Origami Crane Drawing such work with Symmetric figures such as stars from which flowers can be folded away. Irregular figures have appeared occasionally, nevertheless the most extreme form occurs in Paper Miracle with Rolf Harris's models. Silhouettes do not have restrictions in the Origami sense and are of course closely related to paper trimming. In its simplest form cuts are made prior to folding in a symmetric and planned way which will 'open up' the material available without the need for excessive width. The most recent point out of the techniques is by Toshie Takahama who refers to it as Kirikomi and distinguishes it as typical of very early Japanese
Uchiyama is reported as acquiring a patent in 1908 for 'KOKO'. style origami which appears to be the same in idea. Japanese books are packed with slitting to achieve ears or a tail or even legs. Perhaps one of the most famous examples of theme 'slits to avoid folding' is in Fred Rohm's Festival pony in which 2 cuts are made, one for the ears and the other to offer enough points for the legs. Rohm folded his Festival pony without cuts but the technique is then a lot more complex. Thus we have 2 motives for cutting appearing here; one to create new opportunities and the other to avoid the complexities of a model achieved exclusively by folding.
In a corner of the Sustenance Industry Pavilion at EXPO', electricity was used to make Origami pigeons flap their wings. Modelling This is now usual in animal folds to call for a final modeling particularly if foil has been used and one can make sure of the materials remaining in place. A contemporary example of this is in Pat Crawford's models. Neal Elias who probably led the move in the West to 3D insists on any modeling following the folding The thought of wetting the paper seems to be Japanese in origin was demonstrated Bateau En Papier Youtube by Yoshizawa at a Convention in Birmingham. Another method of moist moulding using paste in the preparation is discussed by Alice Gray she was shown it by Yoshizawa during a visit to Japan. The folds tend to be smooth and that we are approaching figurine rather than Origami.
Bateau en papier
The associated arts are Weaving and Macrame which are open-ended. However with string we can have 'Cats Cradles' which is a closed-systems game with direct analogies to Origami. Multi-layer Toshie Takahama has produced some superb examples of this variation of Origami. The particular sheets of paper are folded together but usually opened at the finish to show the multi-layers usually with different colors. In flower folding and possible doll-making the multi-layer strategy is exploited for the own sake with little or no folding engaged. Multi-Part Isao Honda (15) was probably the first to write techniques involving 2 separate sheets of paper each folded to represent some part of the creature and then brought collectively. The concept may well be traditional; if not in the way Honda uses it - see for example the Pagoda in Paper Wonder. Recently kits have made an appearance for folding a monster from a quantity of squares of different sizes.
Comment faire un avion en papier
Within the most extreme Mon Bateau De Papier Jean Humenry Paroles mixtures of water and papers we are, of course , in the world of papier-mache which is obviously an open-ended art. DecoratingThe easiest step from your single colour is one side coloured and one white or plain. A great package of modern Origami uses this colour difference. A delightful example is Joan Homewood's Robin. We can use the texture of our material which need not even be foil or paper. Neal Elias collects patterned foil and has shown models in 3 colours which count after deciding on the best pattern and cutting his material to get the colour exactly where he wants them. A more restricted form Avion En Papier Tutorial of decoration occurs in Japanese papers which are already printed with a design ideal for an exclusive model. The end of this process is evidently the decoration of the last model and therefore into the decorative art proper which is open-ended. Lengthening By simply stretching our square we obtain rectangles then ribbon and finally string.
Fleur en papier
The cutting out of holes etc. to indicate eyes etc is sometimes found in Japanese books and we are obviously dealing with a approach which is becoming open-ended. When we fold in a symmetric way to prepare our paper for cutting the folding has obviously become secondary (2). Honda has Origami Crane Meaning called this kind of paper-craft Mon-Kiri (which means crest-making). The last step in the slitting or cutting is paper-cutting, some of the finest examples are likely from China and evidently here we have an open-ended Talent. Supporting A way of moving away from the 'pure' central form is that of supporting or adding display mechanics to the models. In its most basic form we might use stuff, staples or 'blue tac' to hold a model in the desired pose and position. Or we may use wiring or cards. One of the most unusual form of 'display mechanics' that I actually am acquainted with is by Toyoaki Kawai.